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WNET Launches Local News & Culture Site, MetroFocus
Monday, July 11th, 2011

Today, WNET launched the MetroFocus website, marking the first phase of the multiplatform initiative to bring local news and culture coverage to the tri-state region.

In addition to analysis and opinion, the MetroFocus site features MetroLife, a multimedia section of voices from diverse communities and constituencies that explore our identity as New Yorkers, and a Toolbox for tips and resources to help New Yorkers cope with life in the nation’s biggest metropolis.

The site also includes (among other features) reporting from the investigative journalism nonprofit City Limits about poverty in New York on the 15-year anniversary of welfare reform; and a slide show of post-9/11 photography and an audio interview with the editor of the new book, “New York: A Photographer’s City.”

“MetroFocus will examine the diverse ways in which we each live our lives here and our identity as New Yorkers,” said Editor-in-Chief and Executive Producer Laura van Straaten.

In late 2011, MetroFocus will evolve into a mobile application and a half-hour local television broadcast on both THIRTEEN and WLIW21 to be produced at the Tisch WNET Studios at Lincoln Center in New York City.

—–

MetroFocus is a production of the Interactive Engagement Group in association with WNET New York Public Media, the parent company of THIRTEEN and WLIW21, New York’s public television stations.

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New York Fight Clubs
Friday, June 24th, 2011

Jimmy Breslin and other New Yorkers reminisce about the city’s once-popular fight clubs where members of rival ethnic groups and neighborhoods regularly clashed in the ring. Most of the sites where those fights were staged were torn down years ago. But the memories endure. A nostalgic look back at a slice of New York City life that has all but disappeared.

Watch the full episode:

Watch the full episode. See more WLIW21 New York Spotlight.

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Masterpiece: Fall 2011 Preview
Wednesday, June 22nd, 2011

Masterpiece fans, get a glimpse of what’s to come as Executive Producer Rebecca Eaton shares the Fall 2011 season lineup at the PBS Annual Meeting (including — you guessed it — the long awaited return of Downton Abbey!).

Watch the full episode. See more Masterpiece.

If you missed it, check out host Alan Cumming’s tour of the Masterpiece Mystery! set:

Watch the full episode. See more Masterpiece.

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Boxing Gym: A Q&A with Filmmaker Frederick Wiseman
Wednesday, June 15th, 2011

Frederick Wiseman (Photo: Gretje Ferguson)

We had the opportunity to speak with veteran documentary filmmaker Frederick Wiseman about his upcoming film, Boxing Gym. The documentary takes a fly-on-the-wall look at Lord’s Gym in Austin, Texas — a true melting pot where boxers of all walks of life and skill levels come together to train.

Here, Wiseman discusses the inspiration behind Boxing Gym and his unique style of film making.

Boxing Gym airs Thursday, June 23 at 9 p.m. on WLIW21.

Mr. Wiseman answered our questions via email.

What inspired you to make this film?

Boxing is a form of ritualized violence. Looking back at the films I have made, violence is a subject that links many of them. For example, the inmates of Bridgewater State Prison where I made Titicut Follies had committed some of the most violent crimes imaginable and were separated by the State from civic life. Law and Order (a film about the Kansas City police) illustrates the necessity and role of the police in a community to prevent crimes against people and property, and to find and arrest those responsible. Juvenile Court documents the role of the criminal justice system in establishing the punishment of juvenile offenders who have committed violent acts. Domestic Violence I and II show the work of a shelter, the police and the courts as the representatives of the State in helping and punishing people acting violently in their personal relationships. Basic Training, Manoeuvre and Missile are illustrations of the application of the State’s monopoly of violence in the service of protecting its citizens against external violence. Also, Boxing Gym is related to the two films I have done on ballet, Ballet and La Danse. Both boxing and ballet require discipline, long years of training and control of the movement of the body. Boxing Gym is related to and thematically consistent with all these other films. In addition, I am a boxing fan.

(View full post to see video)

What makes Lord’s Gym so unique? How did you first hear about it?

I did not visit other boxing gyms and cannot compare it to others. I think Richard Lord, the owner of the gym, is very unusual, mankind sensitive, responsible, tuned in to the needs of others, and an excellent teacher and effective leader. I heard about Lord’s Gym from a friend who teaches at the University of Texas at Austin.

Like many of your films, Boxing Gym is mostly observational – we are introduced to members of the gym through their interactions, but there are no direct interviews. What appeals to you about this style of film making, and how did it lend itself to Boxing Gym?

(Photo: Frederick Wiseman)

I do not like interviews or narration because they are didactic and separate the viewer from the subject. When my technique works, it works because the viewer feels present at the events seen in the film and has to make up his/her own mind about what it is he/she is seeing and hearing. My point of view toward the subject is revealed indirectly through the choice of sequences and the structure of the film, and it is more like a novel than a news report.

Is boxing particularly popular in Texas?

Boxing is popular in Texas. I do not know whether it is more popular in Texas than in other states.

Many of your films focus on exploring American institutions. What drew you to these places, and what is more interesting for you to cover: well-known institutions, like the American Ballet Theatre, or lesser-known, more local places, like Lord’s Gym?

When I started making films, institutions were relatively unexplored subjects on film. An institution provides a boundary like the lines of a tennis court. Whatever happens in the building or buildings of the institution or the geographical area that defines the subject of the film is fit for inclusion; anything outside is another film. I am not concerned with whether the institution is well known or not, the subject is what matters.

Was there anything you were surprised to learn about the members of Lord’s Gym, or the sport in general, during the making this film?

I was impressed by the dedication and discipline of the boxers and the sense of community and mutual respect inspired by Richard Lord’s leadership.

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OUT in America: A Q&A with Humorist Kate Clinton
Tuesday, June 7th, 2011

Kate Clinton (Photo: David Rodgers)

We recently spoke with multi-talented funny lady Kate Clinton about her participation in the upcoming documentary, OUT in America.

The film is a collection of stories told by some of the country’s most prominent LGBT figures, along with everyday citizens with extraordinary stories. It spans the country to show the diversity of the LGBT community, and transcends stereotypes to reveal the real people behind the struggle for equality.

Here, Clinton shares her thoughts on LGBT issues and her varied career, which spans comedy, acting,writing, and beyond.

OUT in America airs Sunday, June 12 at 9:30 p.m. on WLIW21.

What first interested you in participating in OUT in America?

I think that from the beginning, the producer [Andrew Goldberg] was driven to tell the story of the ordinary lives of gay people in America. It’s part of the way of winning hearts and minds, which is certainly the campaign. It’s a wonderful venue through PBS – it has such a wide reach and I was excited that he was so determined to get it there and to really tell a good, ordinary story of the courageous and extraordinary lives of LGBT people in America. You just can’t have enough! So I was really drawn to that, and he [Goldberg] was relentless, so I couldn’t say no!

When I started doing comedy 30 years ago, if something gay happened in the news, I could talk about it for 5 to 10 years. It could be, “Lily Tomlin wore purple,” and that would be it! So, the fact that OUT in America through PBS really realizes what we’re up against to tell a gay story, because there are so many other gay stories being told, it’s incredible. That they have public relations and promotions for it is awesome! Before, it would be like, “Try to hide that thing by putting it on at 3 in the morning.” We are marshaled to make people aware that it’s on.

(View full post to see video)

Are there any stories in OUT in America that you found especially moving or that resonated with you?

What I loved is the overall gestalt the thing. It’s beautifully done, simply told, and I really loved all the stories.

What message do you hope viewers will take from this film?

It sounds so science fiction, but — we are among you. I don’t mean that in a threatening way, we’re not taking your lunch money. We’re tax-paying America loving, ordinary citizens like everybody else. And we want our PBS. (laughs)

Are there any LGBT issues or perspectives that you feel do not get enough attention?

I think that the national focus and conversation is definitely on marriage equality. I think that as a vehicle to talk about LGBT equality is wonderful. I do think that the wonderful video idea of “It Gets Better” is certainly drawing attention to bullying and encouraging young people to hang in there after the incredible number of suicides we’ve had.

I think the LGBT issue is that we are in all issues. Healthcare is an LGBT issue — we have incredibly inaccurate and outdated information about the LGBT population. We’re never represented fully in healthcare policy — we have huge amounts of breast cancer among lesbians. Why is that? We don’t know. Because of the effects of homophobia, we have horrible amounts of alcohol and drug addiction, and tobacco. I think what we’re not focusing on enough is that every issue is an LGBT issue. Immigration is an incredible LGBT issue. LGBT people are kind of like immigrants into the world of heterosexuality. We’re undocumented, we’re trying to figure out the language, we’re afraid of losing our jobs and our homes because we’re LGBT. We’re all border crossers. I think what we need to do going forward is be a part of every issue. To have a friend, you have to be a friend. So, we need to be in the profound discussions about choice in this country. We need to be in discussions about immigration. I’m very happy that we have finally repealed “Don’t Ask, Don’t Tell,” but we still have to be on issues like the rape of women in the military.

How do you think the political/cultural landscape will change in the next decade with regards to gay rights and the fight for equality, if at all?

Kate Clinton (Photo: Two Cat Productions)

I do think it will change — to look forward, we just have to look backwards and see the enormous changes that we’ve made in the last 40 years — it’s pretty stunning to be part of a liberation movement that has become so visible and has accomplished so many wonderful things on the state, national, and local levels. I think and hope that the way the LGBT landscape will change is as I was saying, that we become more involved as LGBT people in environmental issues, healthcare issues, education. Then, it is a true change. I worry that if we get federal marriage equality, that people will just go “Wow, that’s great! Okay, we’re done with that.” I love the moment when there’s somebody in an office trying to figure out in triplicate what to do about insurance for gay people. When it really comes down to that level, that’s what I’m looking for.

You’ve had an extremely multi-faceted career, from acting to writing to comedy. If you had to give it all up and pick a different career, what would it be?

I would be an adult literacy volunteer. I would teach people how to read — I think that would be rockin’.

What is your favorite material to cover during your shows? Is there anything you generally avoid?

I think people are overwhelmed by information and what we don’t get to do is contextualize it or connect it to other things. I think that is what I love to do the most. I love to laugh, and I work for laughter. But if you get a moment that’s quiet because people are thinking, and it’s because you’ve made some connection that maybe on some subconscious level they were thinking about but hadn’t articulated…I love that. I guess it’s making connections. On the flip side, if there is any joke that my girlfriend says, “Oh, you shouldn’t do that,” that is the one I want to do!

Is there anything people would be surprised to learn about you?I think I’ve told them almost everything! I guess they would be surprised that I actually mean it! I have no sense of direction, I am technologically challenged. I really am against gay marriage! It’s a great idea and I’ll work for it, but don’t make me do it! (laughs)

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WNET Selected by NJ Governor Christie to Provide Programming to NJN
Monday, June 6th, 2011

Gov. Christie, WNET President Neil Shapiro, and host Steve Adubato (Photo: Governor's Office/Tim Larsen)

Earlier today, New Jersey Governor Chris Christie announced his recommendation that WNET be selected to provide programming and services to New Jersey Network (NJN). Upon approval by the legislature, WNET will provide programming and services under a five-year agreement.

Among the programs that the network, which will be re-named NJTV, will air include:

  • A newly launched summertime edition of a news program in July—NJ Today—at the same frequency (4 broadcasts per day) and same airtimes as NJN currently runs. In the fall a new version of NJ Today will premiere, with a focus on in-depth interviews, similar to the PBS NewsHour.
  • Popular PBS programs and never before seen shows like Charlie Rose.
  • An expanded daily uninterrupted children’s block of programs (Monday through Friday, 7 a.m. to 5 p.m.).

The New Jersey legislature is given 15 days from today to vote on Governor Christie’s recommendation. If approved, WNET will begin providing programming and services to NJN effective July 1.

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Vine Talk: Polishing Off Pinots from Oregon
Thursday, May 26th, 2011

Monday, May 30 on Vine Talk, join Stanley Tucci and celebrity guests Joe Bastianich, Steve Buscemi, and Emily Bergl as they taste Pinots from Williamette Valley, Oregon.

Ray Isle, Steve Buscemi, Stephanie Caraway, Emily Bergl, Stanley Tucci, Joe Bastianich (Eduardo Patino Photography)

Vine Talk airs Mondays at 8:30 p.m. on WLIW21.

Aspiring wine connoiseurs, check out Vine Talk’s Wine Demystified blog for tips on wine and cheese pairings, the right temperature for various wines, and much more.

Did you know? Brooklyn-born actor Steve Buscemi won both the 2011 Golden Globes and SAG for Best Actor (Boardwalk Empire).

Watch an excerpt from the show: the panel discusses how to “rough up” wine before drinking

Vine Talk – Episode 8 – Roughing Up Your Wine from Vine Talk on Vimeo.

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PBS NewsHour: Israeli Prime Minister Netanyahu Addresses Congress
Tuesday, May 24th, 2011

Catch PBS NewsHour’s live coverage of Israeli Prime Minister Benjamin Netanyahu’s address to Congress. Netanyahu will address the Israeli-Arab conflict and is expected to present an alternative to President Obama’s plan for peace in the region.

Coverage begins at 11 a.m., here:


Live TV : Ustream

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Vine Talk: Sipping Sancerres from the Loire Valley
Thursday, May 19th, 2011

Monday, May 23 on Vine Talk, join host Stanley Tucci, wine experts Ray Isle and Emilie Perrier, and celebrity guests Cheyenne Jackson, Gay Talese, and Chef Joey Campanaro as they sample wines from the Loire Valley in France.

Gay Talese, Emilie Perrier, Chef Joey Campanaro, Ray Isle, Cheyenne Jackson, Stanley Tucci (Eduardo Patino Photography)

Vine Talk airs Mondays at 8:30 p.m. on WLIW21.

Gay Talese discusses “wine culture” (or lack thereof) in his hometown in Southern New Jersey:

Vine Talk – Episode 7 – Gay Talese: Wine Culture from Vine Talk on Vimeo.

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Bears of the Last Frontier: A Q&A with Bear Biologist Chris Morgan
Thursday, May 5th, 2011

Chris Morgan (Joseph Pontecorvo)

We recently spoke with bear biologist Chris Morgan to discuss the making of Nature’s upcoming three-part series, Bears of the Last Frontier.

The series takes a look at Alaska’s bear population, one of the largest in the world, to see how these fascinating and intelligent creatures live in the wild. Here, Morgan talks about his experience in Alaska and the importance of preserving, protecting and respecting bears and their natural habitat.

Bears of the Last Frontier airs Thursdays, May 12 – 26  at 8 p.m. on WLIW21.

Enter to win an autographed copy of Morgan’s companion book, Bears of the Last Frontier.

What first interested you in studying bears?

When I was 18, I came on a life-changing trip to the U.S. where I worked at a summer camp in New Hampshire designed to teach kids about conservation and wildlife. One day a bear biologist visited and I started to talk to him about the work he was doing in Northern New Hampshire. And I was hooked, more than any of the kids, I think! I just couldn’t believe that you could be a bear biologist in life. I bugged him for weeks and finally he relented and picked me up in his pickup truck one night and took me down to his study area. We pulled up outside this garbage dump, which had 14 black bears on it lit up by moonlight. It just blew my mind! I’d only seen one black bear in the forest near the camp prior to that. I spent the whole night tranquilizing and tracking these bears. It changed my life – I was set to become a graphic designer back in England.

(View full post to see video)

How did you cope with being out in the wilds of Alaska for so long? What was the hardest part of the experience?

I was out there on and off for a year. There were times when Joe [Pontecorvo] and I were camping and isolated for weeks at a time, but I love that. I’ve spent a lot of time in the wild in very isolated places, but in our first location, the Alaska Peninsula, the density of bears is like almost nowhere else on Earth. What was unique about that for me was camping and being in that environment for so many consecutive weeks – it’s such an immersive experience in the bears’ world.

Some of the hardest parts were the misery of a long drive on a motorcycle. Once you’ve crossed the Arctic Circle, it’s a psychological milestone, but then realizing you’ve still got hundreds of miles to go before you reach the north coast of Alaska…it’s just a colossal place and it really is representative of these amazing, large wild animals that we were filming. The other thing I think people assume about film is that it’s glamorous and easy. We put a lot of hard work in and many, many sleepless nights in order to get the shots that we wanted. When we were filming bears in the northwestern part of Alaska, we were in an area were the western Arctic caribou herd is. We put in a heck of a lot of time looking for these half-million animals, so we could then find the bears. We ended up with lots of sleepless nights and just basically taking catnaps. Joe is a very hard worker – he’ll film as long as there is light, and that’s a problem when you’re in the Arctic in the summer, because there’s always light!

What are the key differences between the three types of bears?

They are three very distinct species. The bear numbers give away a lot about their personality. There are probably 35,000 brown bears in Alaska, and 180,000 black bears, so they’re a little bit more numerous and flexible around humans because there’s more of them. There are probably 2,000 or 3,000 polar bears, and those populations are also shared with Canada and Russia. There are much smaller numbers of polar bears because they are highly specialized and they feed exclusively on meat. The brown bears (also called grizzly bears) are the consummate generalists; they’ll eat everything from berries to Arctic root plants to a moose carcass, when they come across it. Black bears need forest, so where you have forest in Alaska, you’ve got black bears in good numbers. Brown bears will also inhabit forests, but they will extend above the tree line and into the Arctic where it’s just wide-open tundra and no trees in sight.

There are a lot of similarities in terms of behavior. Generally speaking, brown bears are more likely to become defensive and charge than black bears. Black bears are more likely to run in the opposite direction, even if they have cubs.

How did you make the bears feel comfortable in your presence? Have there ever been any incidents in your encounters where the bears were not so friendly or trusting?

Brown bear cub (Joseph Pontecorvo)

In the case of the female with her cubs in the first episode, those cubs had never seen people before us. They’d just come out of their dens, and they were super inquisitive. They took it in like little sponges, like baby humans do. The cubs were playing around and the mother would just give them a stare or turn around while they’re running circles around her, like “alright, calm it down, don’t attract attention.”

On one occasion, a big male bear did charge us. He just got momentarily confused because a female ran behind us that he was chasing. I think he saw us as another bear – competition for his gal! He just charged right after us, and it’s a heart pumping moment. It’s not unusual for bears to charge people or other bears to give them a message, “hey you’re too close” or “you’re threatening me.” We’d not been doing any of those things, but they don’t talk, so they’ve got to express their concern in some way.

You have to take every possible precaution. I don’t approach the bears – if they graze past us, that’s a different thing. We were camping with electric fences around our tents – bear fences that zap 5,000 volts on a bear’s nose when it tries to come near your tent. Hopefully it doesn’t in the first place because the other thing you do is keep your kitchen and your food storage area a hundred yards away from where you’re camping. Never put food in your tent. You have to make sure the bear doesn’t relate you to food, because that can end in a dangerous situation, for the bear and for the people. I also carried bear spray the whole time. You never want to surprise any bears – make sure they know you’re coming, and that you shout out “hey, bear” every so often as you’re walking down the trail. Don’t threaten females with cubs, don’t approach a bear that’s sitting with a carcass of food – just common sense things.

What were you most surprised to learn during your observations in Alaska?

What really opened my eyes were the interactions between these bears during the breeding season, and how busy the place got. There are so many bears there, the females ended up being just as competitive as the males were for their love interests.

Overall though, I was surprised to learn how adaptable these animals are, and how different they all are. By the end of the third hour, it’s clear that any two bears you meet are as different as any two people you might meet. These are super smart animals, and because they’re smart they’ve got this ability to have different personalities and dispositions. They’re all individuals.

What was your favorite location you visited in Alaska? What has been your favorite place your adventures studying bears has taken you?

Probably my favorite place on the entire planet is the Alaska Peninsula. It’s like stepping back in time to 10,000 years ago. You could drop down at any moment, and it would feel the same. There aren’t many places in the world that feel that way. It’s one of the last really wild places that we have in the world and there’s something incredibly magical and special about that fact. You definitely feel like you’re the outsider when you’re there. Like it says in the film, it’s the bears’ world, we’re just visiting.

Svarbard, or some people call it Spitsbergen, is another one of my favorite places, in the European Arctic. It’s a Norwegian sovereignty – about 500 miles north of northern Norway. I’ve guided expeditions there for years to show people polar bears. It is mind-blowingly beautiful, like someone chopped off the Swiss Alps and plunked them in the middle of the ocean.

I love the north, and I’m drawn to the Arctic. The tropics are amazing, but for some reason I’m drawn to the coldest places because it makes you question your ability as a human, and you can’t help but respect a polar bear when he’s hunting seals in the pitch darkness all winter and it’s -40 degrees.

It is asked in this episode, “How much wild are people in Anchorage willing to tolerate?” How much of a threat to Alaska’s bear population are humans and the urbanization of Alaska’s wild? Is anything being done to protect them or keep them “wild”?

Black bears crossing the road (Nimmida Pontecorvo)

Anchorage is on the front line of what we call the wildlife-human interface. It’s where the wild ends and civilization begins. With a place like Anchorage, it’s like a dot of civilization in a sea of wilderness. There are wild animals in people’s backyards and on bicycle trails through parks in town and places where you’re perhaps not used to seeing a 1,000 lb brown bear or a moose or a black bear family. Most of the people in Anchorage are very accepting of having these wild neighbors and it’s partly why they live in Alaska. A lot of this Alaska pride comes through, like “Yes, we live in the wildest state in the Union.” It’s really refreshing. Sometimes things do go awry, where you’ll have a loose animal in someone’s backyard causing damage, or, in the worst-case scenario, you may have a person attacked by a bear. But it’s very rare considering the number of bears around. The Alaska Department of Fish and Game has a team that consists of the two people that are actually in our film – Jessy Coltrane and Rick Sinnott. Their job is being on the front line of where the humans and wildlife meet. Sometimes it means them going in and capturing bears or tranquilizing a moose and removing them from a situation where they’re really close to people.

It’s great, because we can use places like Anchorage as a model for co-existence with humans. It’s more of what this planet needs. These animals, in many parts of the world, are really highly threatened and in trouble. You look to Alaska and you feel like this is the last place in the United States where at least the near future is secure for these bears. I live in Washington State; we’ve got about 20 grizzly bears here. I work on that population and I work with members of the public in these rural towns in grizzly bear country to help them understand what grizzly bears are, what we need to do to have more of them here, how we can live with bears. I live that every day, so going to a place like Alaska is an eye opener in terms of the possibilities for a place that’s still got these large populations of animals. The window will always be open.

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