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What's up at WLIW21
Live from the Artists Den Features Daniel Merriweather, A Fine Frenzy, and Lisa Hannigan
Wednesday, May 4th, 2011

On Saturday, May 7, Live from the Artists Den wraps its third season with a compilation episode featuring performances by R&B singer-songwriter Daniel Merriweather, alternative pop singer A Fine Frenzy, and folk singer-songwriter Lisa Hannigan.

The evening’s song list includes “Change,” by Daniel Merriweather, “Blow Away,” by A Fine Frenzy, and “Ocean and a Rock,” by Lisa Hannigan.

Live from the Artists Den airs Saturdays at 10 p.m. on WLIW21.

Watch a performance of “Blow Away” by A Fine Frenzy from this week’s concert, performed at the John Drew Theater at Guild Hall in the Hamptons:

A Fine Frenzy – “Blow Away” from Artists Den on Vimeo.

See Daniel Merriweather perform live on tour:

May 3 – New York, NY
May 4 – Brooklyn, NY
May 11 – Atlanta, GA
May 13 Washington DC
May 14 – Baltimore, MD

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Filmmaker Jim Norton Discusses Salmon: Running the Gauntlet
Friday, April 29th, 2011

Jim Norton (Aaron Beck Photo)

We recently spoke with filmmaker Jim Norton to discuss the making of Nature’s upcoming feature, Salmon: Running the Gauntlet.

Once among the most productive salmon fisheries on the planet, the Columbia River in the Pacific Northwest today is marked by the alarming absence of the region’s staple fish. Many salmon populations are already extinct or endangered due to overfishing, habitat loss and dams, making their future in the region unclear. Here, Norton discusses what interested him in telling their story, and the complex reality of our efforts to save them.

Salmon: Running the Gauntlet premieres Thursday, May 5 at 8 p.m on WLIW21.

Mr. Norton answered our questions via email.

What first interested you in the story of the Pacific Northwest salmon?

One of the great parts of this project was the opportunity to come back around to where I first heard the story – from Jerry Myers, who appears in the film and tells pretty much the same thing he told me shortly after I started guiding in Idaho. I was young, beginning and ending each day in a sleeping bag in the wilderness, well insulated from the burdens of conflicting education or experience…everything seemed perfect to me. And then one afternoon Jerry and I were fishing together, far up a tributary creek of the Middle Fork of the Salmon River. The Salmon is part of the upper vasculature of the Snake and Columbia River systems, an alpine womb which once produced as many Chinook salmon as anywhere on the planet. We lingered a long time at a place called the “salmon pool,” and Jerry started telling me what used to be there. It was actually a little frustrating at the time; it was hard to honor his more complete version of a landscape I knew as a form of ideal.

As guides, so much of our work involved the language of the pristine, the iconography of wildness, the gin clear water of Salmon Rivers and Redfish Lakes. Although the narrative was very much part of my life, much of that richness is just an anecdote for the generation who arrived in the Pacific Northwest after about the 1970s. It’s a story someone else tells us. Our timeline of memory begins just as that of abundant salmon was ending, and with it the biological and cultural nourishment on which so much depended. My experience as a guide, and the connection I am making now as a full-time resident, initially had no lens through which I could see working on rivers, facilitating what has essentially become a leisure pursuit, as a cultural remnant of once more robust and varied interactions with the land and water. So my interest in this story was originally very personal, an attempt to explore the paradox that a lot of the Pacific Northwest lives within: strong identification with the idea of a natural and cultural heritage derived from abundant salmon, but having just missed out on the heritage itself.

(View full post to see video)

What were you most surprised to learn about salmon and/or the process and effects of harvesting them during the making of this episode?

Without question, I was most impressed by the degree to which we took the original myth of protection through production and never looked back. The scale of the infrastructure that has developed around providing alternatives to salmon swimming up and down streams – the billion dollar “mitigation economy” – is simply staggering.

I was also surprised by the degree to which everyone I met on the ground was genuinely engaged in doing the most they could for salmon, appropriate to the context in which they were working. The hatchery programs are trying to produce as many healthy juveniles as they can; the biologists in the hydro power system are trying to pass as many live fish as possible around the dams; the pilots of the juvenile fish transport barges and trucks are checking stress levels in the tanks; the predator chasers were really trying to reduce the number of salmon eaten by sea lions and terns. Telescoping in on each vignette, it looks like a lot of people doing everything possible to solve their piece of the problem. It’s when you open up and show the accumulation of those contexts that things get ugly, and arguably absurd.

Can you explain the significance of the federal salmon policy decision in the Columbia River Basin that will happen this spring? What is at stake?

Lochsa River, Idaho - a tributary of the Clearwater, Snake, and Columbia (Jim Norton)

In short, the listing of 13 Columbia River salmon and steelhead species as endangered or threatened under the Endangered Species Act requires the government to develop a plan, or biological opinion (“bi-op”), for their protection and restoration. Both the 2000 and 2004 salmon plans were rejected by the courts, meaning that the current administration’s recently submitted plan is the latest in over a decade of modification, argument, and litigation. Technically, the bi-op covers the management of the hydro power system on the Columbia and Snake Rivers. An imminent decision from the federal judge should determine whether the most recent iteration of the proposed plan is legal. Of course, whether our approach to salmon management is actually sufficient for their protection, let alone their restoration, isn’t determined in a courtroom. When Jerry Myers is kept awake by the sound of splashing salmon in Indian Creek, when David Duncan can crouch by the river and find fire in cold stone, when the Tribes are nourished in the many ways derived from abundance…then and only then will we know we’ve done well.

In the episode, it is said that, “If the fish were in any worse shape, they wouldn’t be savable, if they were in any better shape, people wouldn’t care as much. This is the time.” Do you agree with that? Do things have to get bad enough for people to care enough to make a change?

I agree this is the time for a radical re-evaluation of the goals and approach to salmon recovery. Many people have cared, a lot, about declining salmon populations for over a hundred years. Unfortunately, sometimes a response to declining resources is an even tighter grip on the agents of that decline. Even as the situation becomes more desperate, it becomes harder and harder to make big changes because everything feels more fragile. In this film, we wanted to get beyond the documentation of now familiar insults to nature and examine the role, and legacy, of how we have tried to save.

Do you see the salmon situation as proof that human ingenuity is no match for Mother Nature?

Chinook salmon (Isaac Babcock)

No. That proof has been offered too many times before, in too many different ways. The story of the Columbia is, perhaps, an affirmation of that maxim. The modern salmon situation does express interesting components of the relationship between human ingenuity and nature. Something we seem to have lost is the appreciation that the abundance we’re now working so hard, at such cost, to wrestle out of the Columbia is the default condition of the place. Abundance is not something we’re going to tease from the river by being clever. The problem here is shifting baselines. Diminishing abundance determines each new generation’s opportunities on the Columbia; these present opportunities become our memories of a collective past, and together they mark the boundaries of what we imagine it could be again. The thrilling potential of restoration, then, isn’t just about more fish – it’s about expanding our capacity to imagine, increasing opportunities to live a life in the story of our choosing.

How do the Tribes’ relationships to salmon fit into the picture going forward?

The additional levels of complexity and intensity inherent to the tribes’ relationship to this story are humbling. Since no 50-minute program can cover everything, we wanted to focus on the Euro-centric, techno-industrial mitigation component of this story. Of course we make reference to the issue as it concerns the Tribes, but they are still very much in the process of working it out for themselves. I hope they find ways to share their stories, because those stories are so terribly underrepresented in the dialect of salmon science and conservation. There are many expressions of what we know about salmon other than what can be plotted, shaded, extrapolated and correlated, including things we can measure but also things we can’t. This information has been part of indigenous communities for millennia. Comprised of replicated observations over many generations of time, these knowledge systems are not only inherently scientific; they represent our only connection to the deep time on which most ecological systems operate.

Equally meaningful, they also encompass the culture of respect that evolved among people as a function of profoundly intimate experience with the specific environment around them, not only as a form of ritual but as an application of effective governance. Information is shared as a narrative covering many aspects of life in the watershed, not exclusively packaged as data sets. We should be maintaining and promoting this paradigm, where the results of formal research are incorporated into a broader sense of place that includes indigenous understanding and oral histories.

There are so many complicating factors for the Tribes within the context of their separate and collective histories, the struggles they have had getting their treaty rights affirmed legislatively and judicially, how that struggle has influenced their considerations about what to fight for and how, what kind of relationship they will have with commercial fishing and hatcheries. As it concerns the nature and extent of salmon recovery, what the Tribes decide is good enough will have a big effect on what happens with salmon in the Columbia.

What message do you hope audiences will take from this episode?

First, we hope audiences will simply celebrate salmon themselves – their truly extraordinary life history and why they stubbornly remain icons of wildness, resilience, and abundance. Certainly, we hope this episode will contribute to an appreciation of their role in stitching together oceans and continents, estuaries and alpine meadows, coastal rainforests and high deserts. By extension, people should come away with an understanding of why their decline is so consequential on so many levels.

Also, we hope audiences will explore the original assumptions that informed our approach to managing salmon – and how committed we remain to trying to make that story work despite 150 years of evidence that those assumptions might be leading us astray. At incalculable cost, we constructed a reality out of our illusions and have forgotten which is which. Maybe it’s time for a new story.

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Live from the Artists Den Features Squeeze
Wednesday, April 27th, 2011

On Saturday, April 30, Live from the Artists Den will feature UK pop legends, Squeeze, performing from Bryant Park in New York City.

The band will perform hits spanning their career, including “Is That Love,” “Pulling Mussels (From The Shell)” and “Tempted,” in celebration of their latest album, Spot the Difference, which features new recordings of Squeeze classics.

Live from the Artists Den airs Saturdays at 10 p.m. on WLIW21.

Squeeze: Live from the Artists Den from Artists Den on Vimeo.

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The Royal Wedding on WLIW21
Friday, April 22nd, 2011

Didn’t get an invite to the Royal Wedding? Get a front row seat to all the festivities without the trip across the pond.

WLIW21 will be airing coverage of the day’s events, beginning on Friday, April 29 at 9 a.m.

Check out our Royal Wedding schedule for coverage information and our special one-hour documentary on the upcoming nuptials:

WILLIAM AND KATE: THE ROYAL WEDDING

Premieres Friday April 22 at 8 p.m. on WLIW21
This new one-hour documentary traces the history of the royal couple’s romance and profiles the participants, history and key aspects of a Royal Wedding – a highly anticipated and celebrated event in Britain’s royal history. Encores Monday, April 25 at 2 p.m. & late night at 1 a.m. and Wednesday, April 27 at 8 p.m. on WLIW21.

THE ROYAL WEDDING

THE ROYAL WEDDING Encore Friday, April 29 from 9 a.m. – 2:30 p.m. on WLIW21

BBC1’s Huw Edwards and his team present full coverage of the wedding of Prince William and Kate Middleton.

Rundown of events:

  • From 9am Guests will start arriving at the Abbey
  • 11-11:30am VIPs and foreign heads of state will begin arriving at the Abbey
  • 11:30am Senior Royals will depart for the Abbey followed by William and then Kate
  • 12-1:10pm Ceremony
  • 1:10-2pm Carriage procession back to the Palace
  • 2:00-2:25pm Balcony and fly past

ROYAL WEDDING Highlights Friday, April 29 from 2:30 p.m. – 6 p.m. on WLIW21
(edited & pre-recorded from live feed; all times are approximate)

  • 2:30-3:00pm VIPs and foreign heads of state will begin arriving at the Abbey
  • 3:00pm Senior Royals will depart for the Abbey followed by William and then Kate
  • 3:30-4:40pm Ceremony
  • 4:40-5:30pm Carriage procession back to the Palace
  • 5:30-5:55pm Balcony and fly past

ROYAL WEDDING Highlights Friday, April 29 from 8 p.m. – 11 p.m. on WLIW21
(edited & pre-recorded from live feed; all times are approximate)

  • 8:00pm Senior Royals will depart for the Abbey followed by William and then Kate
  • 8:30-9:40pm Ceremony
  • 9:40-10:30pm Carriage procession back to the Palace
  • 10:30-10:55pm Balcony and fly past

Encores of this highlight special will air Saturday, April 30 from 12 noon – 3 p.m. & 8 p.m. – 11 p.m. on WLIW WORLD

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Live from the Artists Den Features Robert Plant and the Band of Joy
Wednesday, April 20th, 2011

This Saturday, April 23, Live from the Artists Den features Robert Plant and the Band of Joy, performing from the War Memorial Auditorium in Nashville, TN.

Plant will perform songs from the group’s Grammy-nominated album, Band of Joy, along with Led Zeppelin classics like “Black Dog” and “Rock and Roll.”

Live from the Artists Den airs Saturdays at 10 p.m. on WLIW21.

Artists Den | Robert Plant “House of Cards” from Artists Den on Vimeo.

See Robert Plant and the Band of Joy perform live on tour:

April 8 – Louisville, KY

April 9 – Chicago, IL

April 11 – Milwaukee, WI

April 12 – Minneapolis, MN

April 14 – Hollywood, FL

April 14-16 – Wanee Music Festival (Live Oak, FL)

April 17 – Vancouver, BC

April 19 – Portland, OR

April 20 – Seattle, WA

April 22 – Berkeley, CA

April 23 – Los Angeles, CA

April 25 – Santa Barbara,CA

April 27 – Denver, CO

April 29 – New Orleans Jazz & Heritage Festival

May 1 – Merlefest (Wilkesboro, NC)

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Live from the Artists Den Features Grace Potter and the Nocturnals
Wednesday, April 13th, 2011

On Saturday, April 16, Live from the Artists Den hosts Vermont rockers Grace Potter and the Nocturnals as they perform in New York’s Bryant Park.

The concert will feature songs from the band’s self-titled 2010 album, including “Paris (Ooh La La),” “Medicine,” and “Hot Summer Night.”

Live from the Artists Den airs Saturdays at 10 p.m. on WLIW21.

Watch a preview:

See Grace Potter and the Nocturnals perform live on tour:

March 12 – Washington DC
March 25 – Boston, MA
March 26 – Providence, RI
April 9 – Charlotte, NC
April 15 – Vail, CO
June 2 – Ozark, AK
June 3 – Chicago, IL
June 5 – Hunter, NY (Mountain Jam)
June 10 – Manchester, TN (Bonnaroo)
June 11 – Santa Rosa, CA (Harmony Festival)

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MetroFocus Seeks Senior Web Editor
Friday, April 8th, 2011

WNET’s latest Web venture, MetroFocus, is on the lookout for a Senior Web Editor with a passion for NYC news. Think you know an ideal candidate? Spread the word and share our job posting!

We are looking for someone who:

  • Has experience in journalism for the Web, tech skills and Web design savvy (including Photoshop and ideally some video editing), including a deep understanding of best Web practices and SEO in particular.
  • Is a local-news junkie who has covered hard news in the city/region in any medium and may even have good contacts from doing so.
  • Has at least some experience managing others or editing/assigning others.

MetroFocus is an online and TV magazine that covers news, culture and life in the NYC region. It is set to launch in spring 2011.  Read more about MetroFocus on The New York Times blog, Media Decoder.

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Live from the Artists Den features Ray LaMontagne and the Pariah Dogs
Wednesday, April 6th, 2011

This Saturday, April 9, Live from the Artists Den presents singer-songwriter Ray LaMontagne and his band, the Pariah Dogs, as they take to the stage at the historic Don Strange Ranch in Boerne, Texas. LaMontagne will sing songs from his latest album, God Willin’ and the Creek Don’t Rise.

Songs performed include, “For The Summer,” “New York City’s Killing Me,” and “Trouble.” Live from the Artists Den airs Saturdays at 10 p.m. on WLIW21.

Watch a preview:

See Ray LaMontagne and the Pariah Dogs perform live on tour:

May 25 – Waterbury, CT
May 26 – Bangor, ME
May 27 – Burlington, VT
May 31 – New York, NY
June 1 – Boston, MA
June 3 – Saratoga, NY
June 4 – Canadaigua, NY
June 6 – Rochester, MI
June 7 – Chicago IL

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Behind-the-Scenes of Vine Talk, with Executive Producer Bruce Marcus and WNET’s Josh Nathan
Monday, April 4th, 2011

Bruce Marcus

We recently spoke with Bruce Marcus, executive producer of Vine Talk, and Josh Nathan, WNET’s Vice President of Business Development, to discuss how the unique show came to fruition (pardon the pun).

Hosted by Stanley Tucci, Vine Talk features wine experts Ray Isle, Stepahanie Caraway, and Emilie Perrier. Each episode hosts wine tastings with a new and diverse panel of celebrity guests, from chefs (Lidia Bastianich, Stephen Raichlen, and many others) to actors (including Patricia Clarkson and John Lithgow), and beyond.

Vine Talk premieres Monday, April 11 at 8:30 p.m. on WLIW21.

Inside Thirteen: What was the inspiration behind Vine Talk?

Bruce Marcus: The inspiration really came about by noticing a real void of television programs related to wine that were comforting and welcoming to people. At the same time, knowing that for years, producers have said they were going to try and deal with that and they just never did – there was always the same type of show with wine experts prancing through the fields of France. Those are beautiful shows, I’ve produced them, but very few people watch and they certainly don’t sustain themselves over time. This is an adult entertainment show with a focus on wine – it’s not a wine show.

I think the show can seriously have an impact on wine drinking habits in the United States, and it should. Wine drinking is becoming more and more popular. It has a long way to catch up with many countries in the world, and there’s no reason people should be nervous about wine, just because there is a history around it and an academic side.

Stanley Tucci
Stanley Tucci
Ray Isle, Steve Buscemi, Stephanie Carraway, Emily Bergl, Stanley Tucci, and Chef Joe Bastianich
Ray Isle, Steve Buscemi, Stephanie Carraway, Emily Bergl, Stanley Tucci, and Chef Joe Bastianich
Stanley Tucci and Nathan Lane
Stanley Tucci and Nathan Lane
Aidan Quinn, Chef Amanda Freitag, Emilie Perrier, Ray Isle, Nanette Lepore, Stanley Tucci
Aidan Quinn, Chef Amanda Freitag, Emilie Perrier, Ray Isle, Nanette Lepore, Stanley Tucci
Ray Isle and Stanley Tucci
Ray Isle and Stanley Tucci

IT: How are celebrity guests selected for the show?

BM: There are a number of us working together – we work very closely with Stanley Tucci’s production company, OLIVE Productions. We get a certain number of guests that are known to Stanley, but in general we are looking for a wide range of interesting people. They don’t have to be Hollywood celebrities. We’ve had a good share of musicians, we’ve had a poet, writers – we just want a good group that we think will make a good mix at the tasting table.

IT: What is the process for selecting which wines will be featured?

BM: We’re doing everything we can to make it a very credible process. First, our production staff selected the wine regions for the purpose of attracting a large audience. Over 80% of the wine purchased in the States actually comes from U.S. vineyards, so we wanted a large percent of the shows to be out of the U.S. wine regions. After that, we gave certain parameters to the wine associations and asked them to find 25-35 wines within their regions that fit our parameters. For example, one of the parameters was, for the most part we needed wines that were available in stores – we did not want to go out in front of millions of viewers and have 10 bottles available across the country, because we know it’s going to drive people to want to get these. We also wanted a good price spread. The associations were then invited to a selection event in October where we put together independent wine panels that tasted the wines and picked their six favorites of each group of 25 or 30. Our sommeliers did participate, but it was mostly outside people – retailers, distributors, wine-knowledgeable people, and they picked the six for each show.

IT: Can you talk about working with WNET and what the experience has been like using the Tisch/WNET Studios?

BM: We are very fortunate that the timing worked out and perhaps the ideal location for us in New York City was becoming available unbeknownst to us, right at a great crossroads of American culture at Lincoln Center. It wasn’t the exact physical makeup that we had initially envisioned, but that’s never the case, and we ended up with what we believe is a very effective use of both the upstairs and the downstairs – we like to call it our upstairs cellar, and then the studio audience is down on the first level. We couldn’t have asked for a better public television partner. It’s been great working with the WNET and WLIW team, and everyone has been incredibly supportive.

IT: What is your favorite wine?

BM: They keep changing, every few months! I’m very much into wines from Chile – Chile is not featured in our first season of shows – I got outvoted!

Inside Thirteen: What first interested you in Vine Talk?

Josh Nathan

Josh Nathan: The show grabbed my attention – there’s nothing else on television like this. It’s an opportunity to have fun and educate at the same time. I think wine is something that needs to be made accessible to people, and I think Public Television’s mission is to make complicated subjects accessible.

Having Stanley Tucci host was an interesting and positive aspect of the show design; rather than having a chef or a wine sommelier be the host of the show, instead you have someone who everybody knows, is very likeable and delightful on the air, and who has an interest in and knowledge of wine. He’s not lecturing, he’s discovering with the audience, and I thought that was just a terrific approach.

IT: To what degree has WNET been involved in the creative process for this show, if at all?

JN: We got involved as soon as Bruce brought the program to us. He had a format and a layout for how the show was going to work, and we reviewed it, got engaged in refining that format with him and Joe Lacarro, the director. After the pilot was shot, we got very involved in deciding how to improve the structure of the show. Neil Shapiro (WNET’s president and CEO), Stephen Segaller (WNET’s VP of Content), and our team watched it, put notes together, and then I sat down with the Vine Talk team and one of the sommeliers, and we restructured the show based on that pilot learning experience. Bruce came up with the concept and the format, but all of our hands were in taking it to the next spot. The folks at APT screened it as well. It was a very positive and efficient collaboration, pre-pilot and post-pilot.

IT: What has the experience been like having the show film at the new Tisch WNET Studios at Lincoln Center?

JN: I thought it was genius! They originally were going to shoot in another space, and I suggested that they look at Lincoln Center and think about the upstairs and the downstairs. I didn’t really know what their requirements were in terms of layout. They went over and spent some time in the studio and looked at the space and they came back to me and said they wanted to use the studio because it offered a way to separate the audience from the performance, which they thought would enhance the show. Now the studio audience can be talking and laughing and enjoying themselves while they watch the taping, without everyone having to be quiet while the show is going on. It also gives the guests, Stanley Tucci, and Ray Isle an intimate space to work. The way they transformed the studio was brilliant, and that’s what’s so cool about the Lincoln Center studio – it’s a gem of a space, and I think this show really shows the potential for how much you can do in that space. It was a pleasant surprise.

IT: What is your favorite wine?

JN: I have a few – it depends on what I’m eating, and the weather. In the summertime, it can be any number of white wines. On a really hot summer day as part of a cocktail hour, I’ll serve a rosé. There’s an Italian wine, Dolcetto d’Alba, a wonderful red wine from Italy, that, whenever I see it on a wine list at a restaurant, it’s always terrific. For white wine, there’s a Picpoul grape from France that’s fantastic – great with fish, chicken, crackers and cheese.

A fun tip: host a Vine Talk party – screen the show with friends and have your own wine tastings at home!

*In New York, the series’ broadcasts on THIRTEEN and WLIW21 are sponsored by Fairway Market and Fairway Wines and Spirits.

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Season Three of Live from the Artists Den Premieres April 2
Wednesday, March 30th, 2011

Live from the Artists Den returns to WLIW21 for its third season on Saturday, April 2 at 10 p.m. with Elvis Costello and the Sugarcanes. The concert celebrates the release of Costello’s new album, National Ransom, and features new songs from the release as well as hits from his three-decade long (and counting) career.

Watch a preview:

The full lineup for the season features:

April 2 – Elvis Costello, backed by his band, the Sugarcanes, at The New York Public Library’s world-famous Stephen A. Schwarzman Building.

April 9 – Grammy winner Ray LaMontagne and the Pariah Dogs at the Don Strange Ranch in Texas Hill Country

April 16 – Vermont rockers Grace Potter and the Nocturnals, filmed at sunset in New York’s Bryant Park

April 23 – Rock and Roll Hall of Famer Robert Plant and the Band of Joy at the War Memorial Auditorium in Nashville

April 30 – A reunion concert by UK pop legends Squeeze, filmed on a different summer day in New York’s Bryant Park

May 7 – A compilation episode featuring three emerging artists in different settings, kicking off at Sotheby’s auction house in New York with R&B singer-songwriter Daniel Merriweather, followed by alternative pop songstress A Fine Frenzy and folk singer-songwriter Lisa Hannigan (best known for her work with Damien Rice).

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